literature

toxicology // anthology

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"you can't hear your heart pumping,
you can only hear the doors closing."



nightshade and hemlock

they had opened a window to the storm.

it rained the day she
stepped foot inside a clearing,
vertigo and photophobia
the portrait of twilight sleep.

solana, there goes the next.

she turned at the sound. looked
all around, at nothing but
green

found nothing but earth and the
roots against her skin

                                  and then

the belladonna singing in her sweet, venom voice—

    blind as a bat, red as a beet,
    hot as a hare, dry as a bone


she scrambled to her feet.

    mad as a hatter, bloated as a toad

impossible, impossible;
she fell to her knees.

    and the heart runs alone

through rime-coated double vision
were her own
crooked fingers reaching for dark dusty berries
imprisoned behind the serrated leaves.

motionless.
stiff.

delirium.



snow, honey, blood

                                         take your pick, they murmured.

melting with ruby envy,
his vena cava bleeds claret unto
arterial crossroads crucified
on holly and thorns.
(iron swirls and oxidized hurt)

dripping in liquid sunlight,
she smoothed away rough edges
and smiled at the concept of
pewter promises and cyan ideas.

blinded by lurid pride,
they are curiously swathed in
wisteria and ice crystals.
you remember to be afraid.



wolfsbane

she had silver eyes.

she had silver eyes,
and now she was a hunter under the guise of
city wishes stolen away
in glassware and wine bottles.

like a purple-shaded gem
trailing shadows armed with
crescent moon knives,

and her semilunar arrows
paralyzing prey.

he snarled—
 i am a god, remember? my heart pumps petr(ichor)

taking charcoal ended breaths,
they are tangled in a molecular war.
weaknesses yet lay
hidden in her indigo cloak.



foxgloves

a gardener's ailments may include

hypokalemia.
the valley at thirteen is
missing evergreens;
heart poison, low on oxygen
and their blood is running thin.

ventricular tachycardia.
dusty skin against the rust,
clutch at the whispers of
their fluttering pulse.

quiescent beauty.
something new is happening.
asphyxiation and amethyst anthers;
violet delights have violet ends.



delphinium

you learned the taste of meadow-rue.

she reads, obsessively—
larkspur. blue dawn. sunkissed. spindrift.

until she learns golden wrath and the poisoner's path:
viridescent vengeance.



lily of the valley

the river sapphire

cuts deadly and beautiful.
they open a letter in the language of flowers
a promise, an idea. sender unknown.

the flowering perennial,
sprouting rhizomes, sheds tears
and turns the page.

convallatoxin, she mused. what a lovely choice.

she is a soul who targets the tainted. wipes them clean.
an assassin, they might say.
appearing with the snow, on a gust of wind.

daughter of atlas,
she spins

green tapestry / white cat / grey chi

   you are an audience in reverse to a
black speckled cycle

last night i dreamed
i went to the forest again




daffodils

his name, you hear, is Adonis vernalis.

she loved that narcissistic beautiful boy,
intoxicated in his reflection, drunk on the fragrance of lycorine.

a blooming corona crowns the stones.
they share a secret
buried in a memory, overheard in the laboratory.

in the low marshes, rocky hillsides and montane pastures,
grassland, woods, river banks. rocky crevices, acidic soils.
none of those places.

she never took off her gardening gloves.

she added honey to her tea. turned another page.

a roar echoes in her mind, and she shivers.
burned and burned, into dust and ash.

you remember only six words

   a stethoscope pressed
   against feverish skin


and then a sunset
like amaryllis. jade on the edges. tart like raspberry.

you forget everything you ever read, but
this:

his name comes from the word asphodel
and there he will return.



azaleas

rhododendrons and the flame

streaked with scarlet
send you to the library amid a city,
olive spines stiff
as distilled strychnine.
you know you shouldn't be here
you shouldn't do this.

still, you look.

"contains thirty-eight alkaloids"
"Flowers do not smell but bloom
in every shade from pale yellow
to crimson red."
"Acute toxicity, if not lethal"

you snap the book shut.

she offers an idea.
a bouquet. a black vase.

andromedotoxin lives in her blood.

a voice spoke in your head.
you cannot unsee. you cannot unlearn.
you only step past the fear like a predator in the soft grass.

i don't know you, you replied,
but this is dangerous.

(fading away/coming closer)

all things are,
she cooed. has no one ever told you?

the dose makes the poison.



digitalis revisited

maybe
before the poison,
they were a little
less vicious;

they learned that year that
dandelions
are synonymous with wishes.

i. every one of the melodies is blue
slip on the foxgloves and
dancing shoes,
ribbon-lace the mask
beneath a heliotrope hood

ii. all doorways are not one color but two
so two-thousand seventeen
brought them here
a meadow in shadow
now never green

iii. stay searching for butterflies and vulpine eyes
or cardiac glycosides
growing out of
fractured forests
& rustling florets



nymphalidae

paper-thin warning wings
veined with oleandrin:

it's april and foul play is
flaying open daffodils already,
bordereau to all the
milkweed and
heart arresting

mimi-cry
faking the cardenolides and flashing it,
not vibrant venom but
internalized malignancy; they know
it's a grimace or a grin.

mark and recapture

heights seasonal/illegal
migration is not the same as fleeing,
something more than flight.
foliage soft and fresh, chrysalis
on asclepias curassavica

nectar corridors outside the
sanctuary city,

they survive like monarch butterflies.



the suicide tree

it is an oak, of course,

ancient as the stones that surround it,
hunting for someone.

they are no longer here to save you.
he is buried beneath lightning and rubble.

your name is ivy. you are
sweet and
bitter
and wild.

you are her.



bleeding heart

they called her a lyre flower. but she tells no lies.

one night, in a dream,
you find yourself in a clearing.
sunlight and shadows in the same emerald air
lavender lace petals swirling at your feet.

welcome, she says. spreading her hands wide.
the poison has picked you.
for MagicalJoey's Anthology Contest II

concentrate well and see if you can extract all the clues  :heart:

I chose to write about toxicology, which is something like a hobby of mine. I've been interested in it since I was nine or ten years old and read the book The Sweetness at the Bottom of the Pie by Alan Bradley. (Forgive the tangent, but go read it, please! That book is simply perfect.)

The setting of these poems are.... a forest clearing. a metal city. a small laboratory, a library. and one's own heart.


many things are references to symptoms, or symbolic colors. there isn't possibly space to list them out.
but some specific information, should you be curious enough to research on your own...

1) I placed nightshade and hemlock together as a reference to the fictional poison named nightlock in The Hunger Games books.
Also, the lullaby is taken from this page:
        "A common mnemonic for the main features of anticholinergic syndrome is the following:
        * Blind as a bat (dilated pupils)
        * Red as a beet (vasodilation/flushing)
        * Hot as a hare (hyperthermia)
        * Dry as a bone (dry skin)
        * Mad as a hatter (hallucinations/agitation)
        * Bloated as a toad (ileus, urinary retention)
        * And the heart runs alone (tachycardia)"

2) Holly and wisteria are both pretty and poisonous. Also, note the phrase (cyan ide)as.

3) Purple shaded gem is a moth that nests on monkshood

4) Foxglove is famous, and purple, and deadly. Who wouldn't love it?

5) The word Delphinium is actually a genus of flowers, with interesting cultivar names.

6) Various legends behind lily of the valley are source of the riddle-like lines. Also, yes, that italicized phrase is a reference to the opening of Rebecca.

7) Okay! This might be my favorite part, because mythology and the Underworld. From this page: "The English word 'daffodil' appears to be derived from "asphodel", with which it was commonly compared." Furthermore, there is something I think all you people are going to love, and it's called Narcissus poeticus. They say, "While all narcissi are poisonous when eaten, poet's daffodil is more dangerous than others..."

8) Wait, no. This is the best part. Of the azaleas and ideas: "Azaleas and rhododendrons were once so infamous for their toxicity that to receive a bouquet of their flowers in a black vase was a well-known death threat."

9) Heliotrope is both a color and a genus. They have an unfairly beautiful existence, shared with "caterpillars of the grass jewel, a gossamer-winged butterfly"

10) And surely we all know that monarch butterflies are raised on a toxic plant.

11) Of the tree cousin-like to oleander, Cerbera odallam: "Commonly known as the suicide tree."

12) Bleeding hearts are enticing. In a strange way.
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